Mirror Mirror

Mirror Mirror: A Book of Reversible Verse by Marilyn Singer

Marilyn Singer has created a special fairy tale world, one where up is down and down is up.  Each page features two poems, a special set Singer calls a reverso. As Singer explains “When you read a reverso down, it is one poem.  When you read it up…it is a different poem.”  With minor tweaks to punctuation, Singer creates a delightful pair, one that often presents two different perspectives. The poems are matched with split illustrations that show the two parts of the story.

This will be fun for adults and children alike.  Older children will be taken with the trick of making the poem mean something different through the reversal of the words.  The reverso is such a delightful puzzle, many budding young authors will want to attempt one of their own.

Great for: Bedtime reading.  This one may serve well to entertain a variety of audience members.  Your youngest listeners will enjoy the fairy-tales while the older ones are entranced by the clever writing.  This is also a great book for classroom inspiration during a poetry unit.

Sex, Nudity, Dating – A princess kisses a frog.  Beauty and the Beast are in love.
Profanity – None.
Death, Violence and Gore – A wolf thinks about eating a girl.  Snow White’s stepmother makes an appearance, and while no threat is clear from the text, one is certainly implied. A witch is fattening up a boy so she can roast him like prime rib.  A prince is armed with a sword.
Drugs, Alcohol and Smoking – None.
Frightening or Intense Things – The giant in Jack and the Beanstalk is a little scary in the illustration.

Posted in Little Ones, Primary Grades | Tagged , , , | 1 Comment

A Tale Dark and Grimm

A Tale Dark and Grimm by Adam Gidwitz

Gidwitz fills his dark tale with warnings to remove young children, no really, do it now.  And despite the light, joking tone,  he is not kidding in the least.  What follows is one of the most violent fairy tale retellings I’ve ever encountered.  Maintaining that he’s simply being to true to the original interesting tales, rather than the boring dull new versions, Gidwitz packs his book with just about as much gore as he can imagine.  Cleverly weaving the tale of Hansel and Gretel in a way that unifies multiple Grimm Tales, his approach is interesting although incredibly sinister.  With my own bias against having children read violent books I probably wouldn’t recommend this to anyone below Grade 4.  I believe it could be easily understood by students in Grade 4 and up.  Whether or not it would give them nightmares is a different issue entirely.

Good for: Gretel is no pushover, taking on sinister murders and vicious dragons without a single simper or swoon.  This will appeal to girls and boys who like their violence explicit and their fairy tales dark.

Sex, Nudity, Dating – There’s a marriage.  One family tried to have a daughter and didn’t succeed.  Gretel (a girl) falls in love with a man, which is a pretty uncomfortable dynamic.
Profanity – “shut up,” “stupid,” “Good God,” “damned,” “hell/ish,” “blast it,”
Death, Violence and Gore – Characters get their heads cut off.  A man turns to stone.  A king dies.  A princess has children despite knowing that a fate worse then death awaits them.  Possible ills that could befall a married couple are that a horse could throw them to their deaths, they could be consumed by fire.  A man is instructed to bite someone’s lip and suck three drops of blood.  A horse’s neck is slit and his coat is set on fire.  A sympathetic character is tied atop a pile of wood waiting to be lit like a torch in order to burn to death.  A statue is smeared with blood.  Children fear they’ll be murdered by their parents.  A woman is a cannibal.  She tries to roast a child.  The  child roasts her. Boys turn to birds.  A character cuts off her own finger to use the bone as a key (this is accompanied by a warning to kids not to try that at home).  A character is overcome with the love of killing things and hunts and kills almost every animal in the forest, becoming part beast in the process.  A character’s head is hit with a branch.  A man rips girls’ souls from their bodies and then hacks their bodies to pieces for dinner.  During one such dismemberment, a finger flies into another character’s lap.  A character licks human blood from his or her fingers.  You can get rid of a warlock by cooking him in a cauldron with snakes.  The skin of a beast is cut off revealing a boy. The flesh comes away in clumps.  This is one of the goriest parts of the book.  A character ventures into Hell and sees sinners writhing being tortured by demons. The head of a kitten is bronzed. There is a chair made of human skin and a couch made of human hair and utensils made of human bones.  The devil eats fingers of sinners. There is a taxidermied child.  Body parts are carried around.  There are dead animals in a street, stiffening with bloated bellies and flies walking on their eyeballs.  A dragon bites down eating half of a woman.  The dragon removes a man’s internal organs.  There are many dead bodies.  A woman’s chest is caved in.  Someone is crushed beyond recognition.
Drugs, Alcohol and Smoking – Men buy each other drinks.  People gamble at an ale house.  Part of a scheme to beat the dragon means getting the dragon drunk.
Frightening or Intense Things – The moon is described as cold and creepy and possibly interested in eating child flesh.

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Rapunzel’s Revenge

Rapunzel’s Revenge by Shannon Hale and Dean Hale

In this retelling of Rapunzel, our heroine is living in a world reminiscent of the Wild West.  The evil witch who stole her is called Mother Gothel and rules over a large amount of land.  Curious to see the land beyond Mother Gothel’s wall, Rapunzel learns that people are enslaved working in mines in a barren desert. Armed with her hair which she can use as a weapon, Rapunzel sets out on a mission.  She teams up with Jack (oh, yes, that Jack, with the golden goose and the beanstalk) as they travel through the desert finding adventure and plenty of trouble as they look for away to free the slaves and remove Mother Gothel from power.

This is wildly different from Hale’s other fairy tale retellings and may not appeal to the same audience.  Readers will probably catch on as soon as they see the graphic novel format (also, for some reason, it’s HUGE, which is awkward if you want to bring it places).  I found the story a bit hard to follow, between trying to follow the flow between the pictures and the crazy new places and names.  I’d imagine some readers would have the same problem, but it’s less likely if they’re experienced with reading graphic novels.  While I liked the larger illustrations, the smaller scale ones are really low quality which I felt detracted from the book.

Great for: Rapunzel is tough.  Her relationship with Jack is a partnership, not him coming in to rescue her from her life, which is a great twist to see in a fairy tale.

Sex, Nudity, Dating – Rapunzel’s mother talks about wanting Rapunzel leaf when she was pregnant.  A cowboy says that he’d tell Rapunzel he was going to rescue her and that she’ll believe him because she’s naive and it’ll be “such fun” until she finds out he can’t really save her.  It’s likely that younger children will read that fully innocently. Jack recommends Rapunzel distract the bad guys by doing “a sultry little dance.”  She refuses.  Rapunzel falls asleep with her head on Jack’s lap.  A lady shows cleavage.  Rapunzel teases Jack about another girl.  A woman kisses Jack on the cheek leaving a lipstick stain.  There is kissing.
Profanity – “darn,” “numbskull,” “swigger-jiggered,” “dratted,” “scared spitless” which I’ve now seen twice in place of a ruder phrase.  Rapunzel told Gothel to “go to…someplace less nice” (those are the words used). “tarnation,” “holy beans,” “heck,” “stupid,” “dag-nabit”, “in a pig’s eye,” “evil-eyed, scum-guzzling rat sneak,” “rumdum,”
Death, Violence and Gore – Rapunzel smacks into a wall while trying to reach the top of it. Her mother is hit with the butt of a gun.  Her father was killed in the mines.  Rapunzel has a bag put over her head and is taken deep into the forest.  Rapunzel lassos and kills a bird for food. A wild boar is shot out from under her.  Many people carry weapons and guns are used. Rapunzel asks a man if he’s going to trick her into breaking the law and then leave her to take the blame and hang for the crime. Rapunzel jokes that she’s hungry enough to eat a horse and chase the rider with a fork.  There’s continued threat of being hanged.  Rapunzel kicks a door into a jailor.  There is danger from a large pack of coyotes, they are driven back by fire.  Giant scary snake that ate Hansel, is killed and eaten.  She strangles a man with her hair nearly to the point of passing out. Someone is slammed into a wall.  Brute is ordered to kill people.
Drugs, Alcohol and Smoking – A guard smokes a cigarette.
Frightening or Intense Things – Well, mother Gothel is pretty evil. Her empire is run by slaves.  Rapunzel is nearly attacked by a wild cat of some sort.

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Beware of the Frog

Beware of the Frog by William Bee

It might be a bit of a stretch to call this a fairy tale retelling, but I’m afraid it’s just too wonderfully weird for me to skip.  You see, Mrs. Collywobbles lives in a little house next to a dark wood with only her little green frog for protection.  As terrible creatures emerge from the wood, Mrs. Collywobbles shelters in her house, waiting for her frog to keep her safe.  Written with the type of pattern that young children love (because they can help complete the pages) and some nonsense words, the language of the book is clearly meant to appeal to children. Whether they find the frog’s eating of these creatures to be hilarious or gruesome will depend entirely on the readers. The ending, in which Mrs. Collywobbles herself is turned into a frog (yes, through the traditional kissing method) is a surprise twist, which (probably unsurprisingly) turns out to be a bit gruesome as well, in a way that may upset readers who were totally fine with the frog dispatching various “bad guys.”  I won’t spoil it for you, but do flip to the end and check it out before sharing it with a child.

Great for: Some children will be able to make the connection between this and the much lighter Bark, George.  I believe there are also many children who would find this to be a hilarious read aloud.

Sex, Nudity, Dating – The pet frog has a little heart above his head after Mrs. Collywobbles transformation.
Profanity – None.
Death, Violence and Gore – Various characters are eaten.  We can tell they’ve been eaten because their limbs protrude from the frog’s mouth.
Drugs, Alcohol and Smoking – None.
Frightening or Intense Things – None.

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Princess of the Midnight Ball

The Princess of the Midnight Ball is a retelling of the Twelve Dancing Princesses, and while Jessica Day George makes a largely uninteresting and unromantic fairy tale into something with likable characters and a far more magical plot, it could have used a bit more sparkle, a bit more depth of character and a bit more female strength.

As I mentioned, the original version is pretty unpalatable from a modern perspective. The princesses sneak off to dance for their own pleasure. Their father, the king offers a reward to anyone who can solve the puzzle of where the princesses go at night. Anyone who fails at the mission is summarily killed. The princesses are eventually found out by an old soldier who then chooses, as a prize, the oldest to be his wife. It’s a bit hard to know who to root before between spoiled girls, a murderous father or an old man off to buy himself a royal bride.

In Jessica Day George’s version the princesses are caught up in a curse brought on by some deals their mother had made with a wicked magician, King Under Stone. This sets the stage for them to be rescued (rather than being kept from something that was a great pleasure to them). The eldest princess begins to fall in love with a soldier who comes to work in the palace gardens, and he is the soldier who ends up saving the princesses from their terrible fate. He asks nothing in return for his good deeds (but is of course rewarded with the love of his true love). By creating a curse and an evil adversary, George creates a far more magical fairy tale world than the one provided by Grimm. The romance between Galen, the soldier and the eldest sister Rose is sweet and very in keeping with the chaste fairy tales we’re used to (they cap things off with a kiss and embrace).

So why isn’t this a glowing review? To start with, I could smack her for keeping 12 princesses. You’re doing an adaptation. Please don’t name 12 princesses with flower names, give most of them some vague personality traits (Spunky! Musical! Religious!) and expect me to keep them straight. I think she could have written 6 princesses far more convincingly and with depth of character rather than spreading things thin with 12. Also, I’ve gotten a bit spoiled with retellings giving girls a bit more of a hand in saving themselves. While (Second eldest! I think?) sister Lily wields a pistol with the best of them, and sister Hyacinth (Religious! I think?) sets fire to a rug, overall, Galen is the one doing all the problem solving and saving. Oh, he’s a likely lad (as they used to say) but come on. Give me some more fight from the ladies! (An additional gripe along feminist lines, when Rose is ill from pneumonia Galen notices that although she appeared slender and romantic from a distance, she looks very worn out “hollow-cheeked” even. And then he follows it up by thinking she is more beautiful than ever. STOP THE MADNESS. We do not need any glamorization of being sickly thin, however brief). Finally, I can’t say as I felt all magical loopholes were closed at the end, and that kind of thing tends to nettle me.

It was certainly a fun read though, and I’d say would be enjoyed by teens and tweens (difficult vocabulary may keep it out of the hands of younger readers, although the content is very much fairy tale scary and not really scary or gory at all).

Sex, Nudity, Dating – Part of the main premise of this book relies on knowing the Queen made a bargain with an evil man in order to get pregnant. A crone says she thought soldiers spent their free time wenching. A fairy tale told by an old man, tells of 4 girls locked in a tower who when they are released each have a babe in their arms, sired by a black magician. As mentioned before, the man who saves the princesses can pick one for his bride. As with any good fairy tale there are a few chaste kisses and a wedding.
Profanity – We’re told that Galen could swear with the best of the sergeants. “Hell,” used to describe the location, rather than as a curse.
Death, Violence and Gore – The book opens at the end of a war. As would be expected in a war, there are many casualties (many related to the characters we meet and care about). The princesses are cursed and only death can free them. The princes who try to discover their secret are killed in various ways (many in ways that appear accidental). There is a witch hunt, complete with threats of hanging. There is a battle for the princesses lives between Under Stone and his sons and Galen. At various points the sons and king are shot, stabbed, whipped or bayonetted(totally not a word, but whatever). None of the violence is graphically described.
Drugs, Alcohol and Smoking – None.
Frightening or Intense Things – Rose is very ill with pneumonia. The girls are accused of witchcraft. The King Under Stone is pretty creepy and makes many threats.

Posted in Teen, Tween | Tagged , , | 1 Comment

June – Fairy Tales

Some readers will never tire of having their favorite fairy tales retold.  Whether your reader is too grown up for the Disney versions or simply wants more of these familiar characters, there are about a zillion retellings available these days.  From super dark versions of Grimm’s fairy tales, to romances that heat up beyond that final chaste kiss, to princesses that do not require salvation at the hands of a prince but can stand on their own two feet, this June I’ll be bringing you all sorts of fairy tales, retold.

What is your favorite fairy tale?  Is there a modern retelling you just adore?

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Mockingjay

Mockingjay (The Hunger Games, Book 3)

Link to The Hunger Games.
Link to Catching Fire.

 

In the third book of the Hunger Games series Suzanne Collins takes things to a new level.  Where the violence up until now has been for entertainment purposes, in Mockingjay things evolve into full scale war.  At times the brutality is completely relentless.  Upon rereading I kept discovering more things I hadn’t explicitly spelled out below in the content section.  But it becomes difficult to account for body parts after awhile.  Please know that towards the end of the book I could not possibly transcribe the violence for you because I am certain it would result in copyright violation since that’s pretty much all there is.

In addition to the violence, Mockingjay does (finally) address the mental and emotional cost of being exposed to such horror and loss.  Finally we get the reflection that it “costs everything you are” to murder innocent people. A lot of people begin to have mental breakdowns which is probably more realistic.  When it comes down to it, almost every character borders on insanity, with many making prolonged stops there.  This can be quite disturbing to read and also somewhat confusing, as when Katniss is falling apart, the reader is certainly falling apart with her.  While I appreciate that Collins has finally stopped avoiding the fact that surviving through such violence will have a toll, I don’t know that this depiction will help young readers understand the weight of what they are reading.  In fact, I think if readers are not emotionally ready to handle the series, that this will make them more upset.

On a more personal note, I was disappointed with Mockingjay and with Collins. I wanted to love this book.  I had really enjoyed the first two, despite my very serious reservations about sharing them with too young and audience.  However, I felt the whole too fast and too furious take on the war towards the end of the book took away from the series as a whole.  While Collins had gained the reader’s trust by keeping key characters alive throughout the first two books, in the third book all bets are off, and anyone can die.  Rather than use this judiciously and sparingly, Collins kills off characters at an alarming rate, barely allowing the reader to process the loss of one favorite before offing the next.  While I did like the way the story ended, I felt it was hastily drawn, I felt we were owed more closure after investing so heavily in the series.  I hate endings that seem slapped on and this was definitely a hurryup and finish job.

Sex, Nudity, Dating – Refugees are referred to as breeding stock.  A character is referred to as a sex symbol.  There’s handholding.  Katniss is asked if she’d like someone presented as her lover.  People are handcuffed half-naked to each other.  A man strips to his underwear and asks a woman if she finds it distracting.  There’s kissing but the person being kissed points out that the other person only kisses him when he’s in pain.  There’s a lot of talking about previous kissing but also, finally, reflection on what people actually mean to each other. There’s a scene where a male kisses his way up someone’s neck to her mouth. The taste and heat remind her that her body is alive. There’s a lot of kissing and discussion of kissing. There’s a wedding. A girl is asked if she liked kissing someone. Characters have children.  A character is someone who was bought and sold, a slave and can tale many tales of the experience: “tales of strange sexual appetites, betrayals of the heart…drunken secrets whispered over damp pillowcases in the dead of night”.
Profanity – “jerk,”  “hell”
Death, Violence and Gore – A character is in pain from a prior head wound.  An entire district is reduced to ash and human remains, ninety percent of the residents died.  Someone trips over a skull and sees the decomposing bodies of people who tried to escape before the bombings.   Some people were incinerated, others overcome by smoke, their bodies now blanketed by flies.  A pox epidemic killed many people and left others infertile.  Katniss imagines people she cares about being drowned, burned, lacerated, shocked, maimed.  She also recalls old incidents such as:  a man being shot for whistling, someone’s beating, someone being dragged bloodied and unconscious from her room, that person’s subsequent death, a spear piercing a girl’s body, a corpse-littered wasteland.  Two people died in the woods.  Someone recounts watching someone kill another person and then killing someone.  Someone has a bloody nose after being hit.  Katniss wants to kill someone (in the literal, not figurative sense).  A cat will be shot if he is interfering with security.  The grotesque faces of a group of electrocuted children are described.  They must say that a woman lost her pregnancy due to electric shock.  Soldiers carry pills that will allow them to commit suicide if captured.  The wounded from a bombing are bleeding, limbless.  A woman’s bandage requires changing.  A mass grave is necessary for corpses.  Blood seeps through bandages which are covered with flies.  A twelve-year old boy has half his face covered with bandages.  A hospital is bombed, leaving no survivors.  There are injuries due to shrapnel. Katniss asks what they will do to Peeta and is told “whatever it takes to break you.”  He’s being tortured to incapacitate her.  People trip over decomposing bodies.  Mutts gnawed someone to a pulp.  There’s a song about a hanging tree.  Peeta’s blood splatters the tiles as he is beaten.  We see scars on a person resulting from being whipped.  Peeta is ill and disoriented.  Katniss imagines lining gloves with the fur of a pet cat.  A mission is expect to cost a lot of lives.  Poison is used.  A victor’s family and girl were killed.  Characters are unconscious, emaciated, bruised, oozing scabs and strangled causing damage to spinal cord, veins and arteries.  There’s a bombing strategies that relies on setting off a second set of bombs once help arrives for the first victims in order to cause greater loss of life. There’s a plan to destroy a stronghold and everyone inside it (no matter how innocent). A man recalls watching children burn to death and being helpless. People are trapped and crushed to death. Katniss recalls the mine accident that killed her father. As people flee a collapse the are firing guns at the rebels who are in turn firing at them. One man is bleeding and missing a part of his cheek. He smells of burning meat, hair and fuel. Lots of people are shot. A woman says she’s going if she has to kill a flight crew and steal a plane. A character was tortured by being put in water and administered electric shocks. A woman gets a metal dart in the brain. Two people were tortured to death while another was forced to watch. One was killed too quickly by voltage that was too high. Another was beaten and had body parts cut off. A bomb blows off a man’s legs. There is torn flesh, missing limbs and a lot of blood. Poison gas is used. A man is snared in a net with barbs. A character’s flesh melts off him like candle wax while others watch helplessly. A type of mutt decapitates people while others watch. A character that we are very close to gets torn up and finally decapitated by the same lizard mutts. Three people died that way. A woman crying for help is shot through the heart. People are blown to bits. Gunfire erupts in a crowd, killing people. Steam kills people by parboiling them. Something causes people to spurt blood from all orifices before they die. Katniss must watch someone she loves very dearly become a human torch, and die. There are many burn victims.  There are references to children’s body parts being everywhere.
Drugs, Alcohol and Smoking – Drugs are used to control Katniss’s pain and mood. Haymitch is forced to sober up. He says he can’t face something without a bottle.  Katniss agrees that she’d rather have a drink.  Haymitch asks Katniss if she’d like to be sedated.
Frightening or Intense Things – Katniss has been classified as “mentally disordered.”   Jailed people are kept under very bad conditions.  Some people, including children are disfigured by pox. There are significant references to mental illness. A character is extremely mentally traumatized, having an argument with himself like he’s two people. One of our favorite characters is captured in a final raid.

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Miracles on Maple Hill

Miracles on Maple Hill

Marly’s father hasn’t been the same since he came home from the war.  His time as a POW has changed him and the whole family is on edge.  They all hope that some time away from the city will help heal him.  Growing up, Marly’s mother loved going to visit her Grandmother on Maple Hill.  She’s described the idyllic farm so often and so well that Marly can picture it perfectly.  It’s this bucolic setting that they hope will be the key to getting Daddy better.  Marly is immediately convinced even though things don’t start auspiciously, with the car getting stuck in the snow and the house needing a lot of cleaning and tending.  But before long, the whole family is charmed by the neighbors, the surrounding nature and the simple life of Maple Hill.

This is very much in the tradition of old-fashioned books with lots of quiet descriptions.  It does drag a bit in parts which may lose today’s modern readers.  Much of the book is timeless, with the country setting accounting for differences between its own time period and today.  The current generation is sadly just as familiar with people coming home from war changed as was Marly’s.  The thing that does this book the most disservice however is the rampant sexism, which will certainly alienate today’s readers. The best way to deal with this would be to use it as a read aloud and simply skip the sexist digs.

This would be best understood by Grades 3-4 but the content and interest might be slightly lower.

If the illustrations look familiar, it’s because they’re done by Joe and Beth Krush who’ve also done the Borrowers and Sydney Taylor’s All-of-a-Kind Family series.

Great for: Old fashioned good clean reading. This is also a rare book which explores the effects of war on a family without it becoming an issues book.
Sexism – Marly’s mother tells her that the kitchen is where “we women have to dig.” Marly feels proud of working in the kitchen.  At one point Marly ponders how she can’t explore like her brother because she’s a girl.  She also says that “cities are better for boys.” She’s terrified of cows and says her brother is not.  At one point she feels sorry for her brother because it’s okay for girls to be silly or scared or even ask dumb questions.  Everyone just thinks it’s funny.  But it’s embarrassing for her brother to do those things.  When Marly cries her brother tells her that it won’t help that it’s just like a girl to cry.  When someone from school wants to discuss Marly and Joe, Mother says “let me get my husband.”  Marly asks if girls can help with the maple syrup and Mother says that they might not want to and that Marly is a tomboy.  When the boys go fishing without Marly, her mother says they’ll just have a fine female time.
Sex, Nudity, Dating – None.
Profanity – Chris swears on the Bible.  “Hump” is used in the old-fashioned way to mean carrying things, but young readers may not know that definition.
Death, Violence and Gore – There’s a lot of animal related violence and death.  Marly discovers an adorable nest of baby mice which her family kills by putting in the stove.   More mice are killed in traps. There’s hunting and guns and Marly struggles with the conflict between finding animals cute and recognizing certain ones as pests or threats.
Drugs, Alcohol and Smoking – None.
Frightening or Intense Things – Daddy is clearly not himself after coming home from war.  He was missing for a time and eventually came home after time spent as a POW.  Marly struggles with intense and scary feelings, like thinking that things were better before Daddy came home.  Daddy’s anger can be intense. Once he became so angry he couldn’t speak and left the house for hours.

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Dumpling Days

Dumpling Days by Grace Lin

This is the third book in the series that includes Year of the Dog and Year of the Rat.

During summer break, Pacy and her family are headed to Taiwan, but Pacy’s not exactly overjoyed.  She wishes that she were going someplace cool like an amusement park, not halfway across the world to visit family.  Once they arrive, Pacy finds herself confused.  She loves the delicious food, especially the dumplings.  But she’s frustrated that she can’t communicate in either Taiwanese or Chinese.  And her art class is not as fun as she’d hoped, because she’s gotten herself caught up competing with the girl who sits near her.  Most of all, Pacy’s just not sure where she fits in.  She worries continuously that Asian people will think she’s a “Twinkie”, that she looks Asian but really acts white.   She worries that other Americans will assume she’s Taiwanese because of how she looks.  Surrounded by her loving family Pacy continues to learn about herself and how she can be a part of both worlds.

Despite the cultural identity issues, it’s a fun and humorous book (kids will love the stories about foreign bathrooms and the pickpocket on the train).  Adults will love how family friendly it is.  I recommend this highly for Grades 3-4, although it could be used as a read aloud with younger children.

 

Sex, Nudity, Dating – Lissy watched a silly hospital show with lots of kissing.  Pacy wishes that she “matched” with a boy so she could make a cute couple. (Evidently, Pacy has a friend that determines who makes a cute couple entirely by them having physical similarities.  In Pacy’s case, the lack of an Asian boy means she cannot possibly be part of a “cute couple.”  I’m not a big fan of this friend).  There’s a story about how it was tradition for a woman to not leave the bedroom the night she is married, not even to use the bathroom.
Profanity – None.
Death, Violence and Gore –  Pacy wishes she could slap a girl she doesn’t like.
Drugs, Alcohol and Smoking – None.
Frightening or Intense Things – Their visit takes place during Ghost Month so there is some talk about visit spirits and ghosts that aren’t at rest.  It’s likely that this will not be scary for the intended audience, but if it is being read aloud to younger children, they might be a little scared, especially when they explain that ghosts want to make you a ghost too and erase you away.  There’s an explanation of how Big Uncle was taken away by the government during a time of martial law.  Also, at one point Pacy gets lost in a market. Finally, there are puppies sold in a vending machine, which freaks me out more than a little.

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Catching Fire

Catching Fire (The Hunger Games, Book 2) by Suzanne Collins

Hunger Games review available here.
Mockingjay review available here.

When the first in a series is as tense and captivating as The Hunger Games, it is almost inevitable that readers will want to continue the series.    The question for the reader is often “How soon can I get it?” (Answer, much faster from Amazon than from your public library).  The question for parents and educators is “Is the content in this book about the same as the previous one, if my child read The Hunger Games and seemed fine with it, can they read Catching Fire?”

I would say that they are similar in content, but Catching Fire does have some more purely horrifying moments of violence (see the content section below and especially notice the whole bit where a woman kills someone by ripping that person’s throat out with her teeth.)  I wasn’t as tense at many places because I’d developed a sort of trust for Collins, that she would kill off in an incredibly gory fashion anyone she felt like, as long as that character wasn’t someone I was too attached to.  That slight predictability made it so I never truly worried for those that I liked the best.  There is slightly more reflection on the violent nature of the games and the negative effect it has on people’s lives.  I’ll give her particular credit for a character that basically went insane after participating in the games.  But still, when push came to shove and lives were on the line, I didn’t see quite the amount of contrition from the killers that I would like to see.

The other major content difference in Catching Fire is that the romantic plot is increased somewhat.  Interestingly, this doesn’t really mean (much) more physical contact between the main characters.  There are a few references to people having lovers and sleeping with prostitutes.  Those are minor enough that most adults reading the book wouldn’t really register them, but a teens certainly will, and if younger children are reading you may not want to have to answer clarifying questions about those parts.  The thing that struck me about the romance(s) in Catching Fire were how much they relied on the reader having some understanding how relationships and physicality and emotion are all interconnected in a very tangled way.  Elementary school students (you know, the ones who I think are generally too young for this series) will not really understand how manipulation and using someone and proximity all play a part in romances.  The message that you can be physical with someone you’re not sure you care about is not one I’m particularly sure younger readers are ready for.  But you be the judge, the content reviews are below.

Tell me what you think in the comments.  Was Catching Fire about the same as Hunger Games?  What age group would you suggest this series for?

I would recommend this ideally for high school students, but possibly as low as Grade 8 with parent discussion.

I ‘m not sure if the vocabulary in this was actually harder than Hunger Games or I just thought it was, but here’s a list of some challenging words: sadistic, audacity, despises, inferno, prophetic, incomprehensibly, voluminous, etiquette, inconsequential, precariously, indistinguishable, flamboyantly, regimen, abhorrent, emaciated, mutilation, gallows, din,

Sex, Nudity, Dating – There’s a reference to a woman having a baby due any day.  A character mentions that it was assumed that she would always marry another character.  A character discusses how a romance saved her life.  Characters will need to present themselves “as lovers.”  The love triangle continues from the prior book.  People lie about characters being cousins because a possible romance between them wouldn’t look right and they need a way to explain a close relationship.  A man strips to his undershirt.  There is kissing.  There is a description of the lips pressing and fingers curling on chests and making some noise in the back of the throat.  There is also a comparison between kissers.  Katniss is seen naked by her team of dressers which includes two women and one man.  Two characters fall on top of each other in the snow and kiss.  The fact of a marriage being inevitable is raised within the first 50 pages of the book.  Katniss thinks about whether or not she’ll be required to have children and how they might be more vulnerable for the reaping.  Again Katniss has all of her body hair removed by her team and wonders why boys are allowed to keep theirs.  Then she reminisces about Peeta’s body hair and how she bathed him in the stream.  There’s hand holding. Katniss wonders if in the future they’ll tattoo her breasts. A male character and a female character sleep entwined in each other’s arms each night.  There is a public proposal.  Katniss must dance with a Gamemaker and doesn’t like the feel of his hands on her body.  There is a plan for two members of the love-triangle to run away together.  One confesses love but the other replies “I know.”  A Peacemaker is known for luring starving women to his bed in exchange for money (perhaps this reference to prostitution will go unnoticed by some?)  Katniss reflects that she might have become a woman who sold her body for money.  A girl caresses a boy’s face, stroking his lips.  In the love-triangle, one member speculates what it would be like to see one of the others become someone else’s “lover” and promise to marry someone else and is enraged.  More kissing.  There’s talk about getting a goat pregnant, “knocked up”.  Katniss must be shaved.  A very handsome man has women throwing themselves at him and he goes through four or five each year during a visit.  It’s sort of implied that he sleeps around a lot.  He is clothed in something that covers his groin and nothing else.  An older man kisses Katniss on the mouth.  A girl strips naked in front of Peeta, the light from his costume reflecting on her naked breasts.  The same girl later strips naked and oils herself for a wrestling match.  There’s a supposed secret marriage.  Katniss is supposedly pregnant.  Katniss must strip a man naked but says now that there have been so many patients of her mothers, she’s used to naked men.  There’s more kissing with bodies entwined, and a warm sensation going throughout someone’s body, kisses making the need greater.  Much of the book takes place in a warm climate and it seems as though everyone stripped to their underwear, which means the above kissing scene would have taken place with people wearing nothing but underwear.
Profanity – Haymitch spews profanity although the words aren’t reported. Katniss shouts obscenities (again they are not reported).  “hell,”
Death, Violence and Gore – Katniss mentions she will have to face the families of children she has killed.  Katniss mentions that her father was killed in a mine explosion. Animals are shot or snared for food.  A woman has one arm as the result of a mine explosion. A man has been executed. A man’s breath smells of blood and a character wonders if he drinks it or dips cookie’s into it.  The death of characters in the previous Hunger Games is remembered, including a girl with a spear wedged in her stomach.  Peeta has painted a picture of Katniss lying unconscious in a pool of blood. Katniss remembers a girls bloated body disintegrating in her hands, a boy bleeding to death.  An old man who whistled a song is pulled through a crowd and a bullet is put in his head.  Two others are shot and there is speculation as to whom.  Children die of starvation.  There are uprisings. One includes bricks being thrown and people in the crowd being shot at random.  There are concerns that some people will be tortured to death to find out information about others.  A girl is pushed by someone she trusts.  A character that we know well is whipped until that character’s back resembles a “raw, bloody slab of meat.”  Another receives a whiplash across the face.  A man wipes the blood off his whip with his hands splattering it on people nearby.  A man has a purplish bump on his head rising through his hair.  The mutilated flesh of the whipping victim is treated, assembling what shards of skin can be saved.  In the summer, they would have tried to keep flies away from the open wound.  In a nightmare, Katniss imagines someone cutting her face, then changing to an animal and lapping the blood from the wound.  Rebellion means possible torture, mutilation, execution by a bullet through the skull.   Nests of machine guns line the square, gallows are erected at the center.  People are hung publicly.  Areas are bombed.  Katniss finds herself both sad and relieved that new opponents will include the elderly.  In one district an eighty-year old woman volunteers herself to save a hysterical young girl. Katniss dreams a rodent is eating her face.  Butterfly stings kill.  A blowdart dipped in poison kills.  Some are killed in the lava from a volcano.  A girl is skewered through the neck by a bird and screams her dying scream.  There are more deaths “in combat”.  Some people are killed by squirrels.  There is a bloody fight, in which a male has to hold in his intestines while trying to escape and a girl chases him with an ax.  The girl has blood flowing from her empty eye socket.  An ax buries itself in someone’s head.  Rebels tongues are cut so they can’t speak.  Katniss dreams of bloody dissections of mouths. One woman killed by ripping a man’s throat out with her teeth.  A man is beaten with metal studded gloves and dragged out leaving a bloody smear.  A tribute is impaled on a trident.  A character requires resuscitation after electrocution.  There’s a type of acid rain/nerve gas used on the tributes, one walks into it intentionally, a suicide. There are killer attack monkeys, which also must be killed.  One kills a human by sinking its fangs into the person’s chest. Blood slowly trickles from the puncture wounds.  The character’s wasted body is described.  Blood rains from the sky.  One tribute slits another’s throat in a “bright red smile.”  Another is shot in the head.  An ax buries itself in someone’s chest.  A character must be in the water with a dead body and ends up tasting that person’s blood mixed with seawater.  Someone was beheaded. A hovercraft must pick up one body in pieces.  A cylinder is smashed into someone’s face causing vision problems.  Some digs a knife into another person’s arm.  Fingernails are raked across someone’s face causing blood to flow and damaging an eye. A character hopes to spare another character pain and torture by murdering that character first using a syringe.
Drugs, Alcohol and Smoking – Katniss buys three bottles of liquor for Haymitch her nearly always drunk coach.  When Haymitch has to go without alcohol he suffers from withdrawal symptoms which are described.  Haymitch is almost never mentioned without a mention of a type of alcohol and his state of drunkenness, and he is mentioned reasonably often.  Katniss’s prep team drinks coffee and takes brightly colored pills.  Katniss is given pills to make her sleep.  Katniss’s prep team is nearly incoherent from drinking.  A medicine called “morphling” is used to relieve pain.  Katniss drinks alcohol and is drunk.  Two tributes are known morphling addicts.  Various others drink wine.
Frightening or Intense Things – Katniss’s mother fell into a deep depression after the death of her father.

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